Wednesday, October 24, 2018

Charlie's Angels TV Show (Documentary)




Charlie's Angels is an American crime drama television series that aired on ABC from September 22, 1976 to June 24, 1981, producing five seasons and 110 episodes. The series was created by Ivan Goff and Ben Roberts and was produced by Aaron Spelling. It follows the crime-fighting adventures of three women working in a private detective agency in Los Angeles, California, and originally starred Kate Jackson, Farrah Fawcett (billed as Farrah Fawcett-Majors), and Jaclyn Smith in the leading roles and John Forsythe providing the voice of their boss, the unseen Charlie Townsend, who directed the "Angels" crime-fighting operations over a speakerphone. There were a few casting changes: after the departure of Fawcett and Jackson came the additions of Cheryl Ladd, Shelley Hack, and Tanya Roberts. Despite mixed reviews from critics and a reputation for merely being "Jiggle TV" (specifically emphasizing the sex appeal of the female leads), Charlie's Angels enjoyed huge popularity with audiences and was a top ten hit in the Nielsen ratings for its first two seasons. By the third season, however, the show had fallen from the top 10. The fourth season of the show saw a further decline in ratings; the changes could not stop the falling ratings and in 1981, after 110 episodes and five seasons, Charlie's Angels was canceled. The series continues to have a cult and pop culture following through syndication, DVD releases, and subsequent television shows. The show also spawned two feature film adaptations and a reboot television series in 2011. Development Ivan Goff and Ben Roberts came up with the idea for a series about three beautiful female private investigators as a breakthrough but also escapist television series.

Producers Aaron Spelling and Leonard Goldberg first considered actress Kate Jackson during the early pre-production stages of the series. She had proven popular with viewers in another police television drama, The Rookies. Jackson was initially cast as Kelly Garrett, but was more attracted to the role of Sabrina Duncan, and her request to switch roles was granted. Farrah Fawcett was next cast as Jill Munroe, but much like Jackson, did not audition for a role. She was offered a part by Spelling after he had viewed her performance in the 1976 film Logan's Run. Jaclyn Smith was among the hundreds of actresses who auditioned for the role of Kelly Garrett. Despite liking Smith, Spelling and Goldberg were wary about hiring her because their initial concept concerned a brunette, blonde, and red-headed woman. Smith was the only brunette that auditioned for the role and was cast only after producers liked the on-screen chemistry she shared with Jackson and Fawcett.

Producer Leonard Goldberg, had the initial idea three years previously, for a show that would be a cross between The Avengers and Honey West, a short-lived drama from the 1960s about a female private eye. Goff and Roberts had first titled the series The Alley Cats in which the three females (named Allison, Lee, and Catherine) would reside in alleys and wear whips and chains. Jackson disapproved of the title, and since she was given semi-control over the development of the series, she encouraged producers to find a new title. It was Jackson who decided the three women would be called "Angels" after seeing a picture of three angels hanging in Spelling's office, and the series became known as Harry's Angels.

This title was dropped, however, when ABC did not want to run into conflict with the series Harry O, and was thereby changed to Charlie's Angels. In the initial concept of the series, the three females' boss would be a millionaire who often aided them in their assignments; however, Jackson and Spelling decided it would be more interesting to have the boss's identity remain a secret. With this, millionaire Charlie Townsend was an unseen character on the series who only spoke to the Angels via a Western Electric speakerphone. John Forsythe , who played the unseen Charlie Townsend, recorded his lines in an audio studio and was never on set. Thus, Forsythe rarely met any of his female co-stars. Some years later, he bumped into Farrah Fawcett at the tennis courts, as he recalled, "I was coming off the court when she came up to me and said, 'Charlie! I finally met Charlie!'" Forsythe was offered the 'Charlie' role in a panicky late-night phone call from Spelling after the original choice, Gig Young, showed up too intoxicated to read his lines. "I didn't even take my pajamas off – I just put on my topcoat and drove over to Fox.

When it was finished, Aaron Spelling said, 'That's perfect.' And I went home and went back to bed". Spelling and Goldberg decided to add actor David Doyle to the cast as John Bosley, an employee of Charlie, who would frequently aid the Angels in their assignments. Although ABC had approved of a pilot film, they were concerned about how audiences would accept three women fighting crime on their own. ABC executives brought in David Ogden Stiers as Scott Woodville, who would act as the chief backup to the Angels and Bosley's superior; he would also be depicted as the organizer of the plan, in similar fashion to Jim Phelps in Mission: Impossible, a series for which Goff and Roberts had written. The 74-minute pilot film initially aired on March 21, 1976.

The story focuses heavily on Kelly Garrett (a role intended for Jackson before she and Smith swapped) who poses as an heiress who returns home to gain her father's successful winery. In the end of the film the three women are caught in a bind and Scott attempts to save them, but to no avail, leaving them to solve the dilemma on their own (and with the help of allies made during the story). ABC executives were somewhat disappointed in this initial project, fearing there was more emphasis on camp than serious drama. After viewing the pilot, Spelling encouraged executives to delete Scott Woodville from the series; according to The Charlie's Angels Casebook, audiences also reacted negatively to the character. Bosley was kept, made slightly less inept than depicted in the pilot, and was given many of Woodville's attributes and responsibilities. The series formally premiered on Wednesday, September 22, 1976 at 10:00pm.

The 74-minute pilot film that aired on March 21, 1976, received enormous ratings. However, ABC - who thought this was one of the worst ideas for a TV series they had ever heard - didn't believe the figures and showed the pilot again a week later to check. The ratings were just as high, even for a repeat screening. Premise In the initial concept, Sabrina Duncan, Jill Munroe, and Kelly Garrett have graduated from the police academy in Los Angeles, California. Despite proving their capability during training, all three have subsequently been assigned to be a meter maid, office worker, and crossing guard, respectively.

Dissatisfied with these jobs, they are recruited to work for the Charles Townsend Agency as private investigators. All of this is explained in the opening credit sequence; neither the pilot film nor subsequent series ever actually depicted an "origin story" as they are seen to have been working as investigators for some time as of the start of the pilot. Their boss, Charlie Townsend, who nicknames them "Angels", is never seen full-face, but is often seen from the back, mostly in the company of beautiful women. Charlie gives the Angels and his associate John Bosley their assignments via a Western Electric speakerphone; he never meets them face-to-face, which leads to recurring queries from the 'Angels' as to when or if he will ever join them on assignment. In season two, San Francisco police academy graduate Kris Munroe takes the place of her older sister, Jill, in the trio; in the fourth season, Tiffany Welles, a Boston police academy graduate, takes Sabrina's place; and in the fifth and final season, model-turned-private investigator in training Julie Rogers fills the void left after Tiffany's departure when she is given a temporary private detective license. Charlie's Angels was generally formatted in the way of a procedural drama much like the vast majority of other crime shows of the era.

Many of the episodes follow a regular structure whereby a crime is committed, the 'Angels' are given the case details, and then they go undercover to solve the crime. Inevitably, the final scene takes place back at the Townsend office with Charlie offering his congratulations for a job well done. Most episodes have stand-alone plots and are usually not referenced in future episodes. Cast changes Season one cast (1976–1977): Jaclyn Smith, Farrah Fawcett, and Kate Jackson Over the course of its five-year-run, Charlie's Angels had a series of highly publicized cast changes. The first of the cast changes took place in the spring of 1977, just after the conclusion of the first season. Fawcett turned in her resignation just before the season one finale aired on May 4, 1977, commenting she wished to embark on a film career. Fawcett deciding not to return for a second season triggered a lawsuit between the actress and ABC and Spelling.

During the 1977 summer hiatus of the series, ABC and Fawcett entered a legal battle over her contract. At the beginning of the series, all three female leads signed five-year contracts, and the network was insistent that they live up to their commitments. Business partners Leonard Goldberg and Aaron Spelling tried intensively to work out a deal with Fawcett and her agents. Goldberg and Spelling had arranged for her to make one film during her summer hiatuses and her choice over subsequent television shows and miniseries. ABC even agreed to raise her salary from $5,000 to $8,000 a week, but she declined the offers. ABC reluctantly released her from her series contract in the summer of 1977.

However, she was assigned to another contract with ABC, stating that since she left her contract four years early that she would return to the series later on in its run for six guest appearances. Fawcett would return as Jill Munroe on Charlie's Angels for three guest appearances in season three. She again returned for three guest spots in season four in what turned out to be her final appearances on the show. As Fawcett departed the series, ABC began searching for her replacement. Executives eventually noticed singer-turned-actress Cheryl Ladd and offered her a screen test. Initially, Ladd refused the opportunity for a screen test, but after lobbying from studio executives, she relented. Although executives noticed Ladd was inexperienced, they saw promise in her performance and signed her to a four-year contract.

In an effort to keep the hype the series had with Fawcett, Ladd was written in the series as her sister, San Francisco police academy graduate Kris Munroe. Despite a mixed reception from critics at the beginning of season two in September 1977, Charlie's Angels lost just a small percentage of its season one audience with the introduction of Ladd. But Kate Jackson believed the inclusion of Ladd damaged the series considerably. Jackson and Ladd reportedly never got along with one another. Ratings remained steady throughout the third season. Jackson began to complain about the show's diminishing script quality and stated that initially the series focused on "classic detective work", but had become more of a "cop story of the week".

During the third season, Jackson was cast as Joanna Kramer in Kramer vs. Kramer (1979) with Dustin Hoffman but the producers refused to reorganize the shooting schedule to allow Jackson time off to shoot the film. The part of Joanna ultimately went to Meryl Streep, who won an Academy Award for her performance. Upset by this situation, Jackson decided to leave the series. Casting calls for Jackson's replacement began during the summer of 1979. Several up-and-coming actresses were considered for the role, including Barbara Bach, Connie Sellecca, Shari Belafonte, and newcomer Michelle Pfeiffer. Although considered for the part, Bo Derek and Melanie Griffith did not audition. Pfeiffer was a personal favorite with most of the producers, however, her screen test showed her inexperienced acting talents and she was passed over for the part.

ABC producers noticed Charlie perfume girl Shelley Hack in an ad and cast her as Jackson's replacement. Hack debuted in the fourth-season premiere as Tiffany Welles, an elegant police graduate from Boston. In hiring Hack, Spelling's priority for season four was to "bring back the glamour" while ABC hoped Hack's sophisticated personality would bring an interesting new mystique and intrigue to the series. To revitalize decreasing ratings and regain popularity, ABC released Hack from her contract in February 1980. In an interview with People, Hack said, "They can say I didn't work out, but it isn't true. What happened was a network war. A business decision was made. Change the timeslot or bring on some new publicity.

How to get publicity? A new Angel hunt. Who is the obvious person to replace? I am—the new kid on the block." During casting calls for Hack's replacement, some two thousand candidates were auditioned. After a series of false commitments, ABC selected model and former dance instructor Tanya Roberts. She was pictured on the cover of People magazine and featured in an article surrounding the series. The article, entitled "Is the Jiggle Up?", asked if Roberts could save Charlie's Angels from cancellation. Executive Brett Garwood stated, "We hope to keep the show going for next year, but nothing's certain." Roberts debuted in the fifth-season premiere as Julie Rogers, a streetwise fighter and model, but the season premiere episode drew mild ratings. Between November 1980 and June 1981, the series was broadcast in three different timeslots and its ratings further declined, so ABC cancelled the show in the spring of 1981. See More

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